精品推荐 —— 宣统三年大清龙洋与甘肃孙像壹圆

时间：2026-07-06来源：网络作者：adminf

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Premium Recommendation -In the third year of the Xuantong era, the Qing Dynasty issued a set of dragon-shaped coins along with a one-yuan coin featuring the image of Sun Yat-sen from Gansu.

*本次藏品：宣统三年大清龙洋与甘肃孙像壹圆*

典藏尺寸：规格尺寸不一

华夏近代币制更迭的百年脉络，浓缩于这两枚成对传世老银元之中。一枚是清王朝落幕前夕铸造的宣统三年大清龙洋，承载封建帝制最后的皇家铸币荣光；一枚是民国十七年甘肃省造孙中山像壹圆银币，镌刻共和时代西北大地独有的币制风貌。一龙一像，一朝一共和，一南一西，两两成对并置，完整串联起清末覆灭、民国肇造的宏大时代转折。两枚银元均为近代机制银币里辨识度极高、存世稀缺的标杆品类，历经百年流转，通体覆温润醇厚的原生传世包浆，冲压图文深峻立体，齿边完整无缺，集两代王朝文史印记、中西融合铸币工艺、地域稀缺收藏属性、家国更迭人文情怀于一身。细细品读这对龙孙成对银元，便可透过两寸银胎，读懂帝制终结、共和新生那段波澜动荡的近代百年风云。

The century-long evolution of modern monetary systems in China is epitomized by these two paired ancient silver dollars. One represents the Daqing Longyang coin minted in the third year of the Xuantong era (1908) on the eve of the Qing Dynasty's collapse, embodying the final glory of imperial coinage under the feudal regime; the other is a one-yuan silver coin featuring Dr. Sun Yat-sen's portrait issued in Gansu Province during the 17th year of the Republic of China, showcasing the distinctive monetary characteristics of Northwest China in the Republican era. These two coins—one dragon and one portrait, representing two distinct eras—the southern and western regions—form a perfect pair that collectively trace the monumental transition from the late Qing Dynasty's decline to the establishment of the Republic. Both coins are highly recognizable and exceptionally rare examples among modern mechanically minted silver coins. Having endured a century of circulation, they exhibit a rich, natural patina, deeply embossed designs, and intact edges, combining historical imprints of two dynasties, innovative Sino-Western minting techniques, regional rarity, and cultural significance reflecting national transitions. A close examination of these paired dragon-and-Sun coins reveals, through their two-inch silver cores, the turbulent century of modern history marked by the end of imperial rule and the dawn of the Republic.

*本次藏品：宣统三年大清龙洋与甘肃孙像壹圆*

典藏尺寸：规格尺寸不一

想要读懂这对成对银元的深层价值，必先厘清两枚钱币背后截然不同、却紧紧相连的历史岁月。宣统三年，即公元 1911 年，武昌起义炮火席卷全国，绵延两千余年的封建王朝行将落幕，清政府倾尽国力打造最后的标准国币 —— 宣统三年大清银币，意图统一全国纷乱币制，挽救摇摇欲坠的王朝统治。彼时全国各地龙洋版式繁杂，各省造币厂各自为政，清廷下令天津度支部造币总厂统筹铸造统一标准大清银币，曲须龙为官方通行正式版，也是清王朝最后一款法定龙洋，铸造仅短短一年，王朝便轰然崩塌，大量铸币计划中断，未流通币料、半成品悉数封存，后历经战乱熔银、民间损耗，完整品相传世龙洋存世量逐年锐减，自带王朝绝唱的独特纪念底色。

而另一枚民国十七年甘肃省造孙中山壹圆，则诞生于帝制覆灭十余年之后。民国十七年西北军政割据，内陆交通闭塞，沿海标准孙像帆船币难以流入甘肃，当地造币机构就地取材铸造本土专属孙像银币，仅在西北甘、宁、青狭小地域流通，铸造周期极短、发行量有限，且受当地工业条件限制，铸币总量远低于中央造币厂各类国币。不同于全国通行的二十三年双帆币，甘肃孙像壹圆是极具地域专属属性的稀缺地方性银元，完整记录民国初年西北军政、地方金融、内陆商贸的特殊历史面貌，是解读近代西北地方史不可或缺的实物标本。

To comprehend the profound value of this pair of silver coins, one must first understand the distinct yet interconnected historical context behind them. In the third year of the Xuantong era (1911 AD), the Wuchang Uprising spread across China, marking the imminent end of a feudal dynasty that had endured for over two millennia. The Qing government devoted all its resources to minting the final standardized national currency—the Xuantong Third Year Great Qing Silver Coin—with the aim of unifying the country's fragmented monetary systems and stabilizing the precarious imperial rule. At that time, Dragon Coin designs varied widely across regions, with provincial mints operating independently. The Qing court ordered the Tianjin Minting General Factory to oversee production of a unified standard coin, featuring the Quxu dragon as its official design—the last legally issued Dragon Coin of the dynasty. However, within just one year of production, the dynasty collapsed abruptly; numerous minting plans were abandoned, and all unused coins and semi-finished products were sealed away. Subsequent wars led to silver smelting, while civilian use further depleted supplies. As a result, the surviving quantity of intact Dragon Coins has declined sharply over time, endowing them with a unique commemorative significance that embodies the dynasty's final chapter.

The other coin, a one-yuan silver coin featuring Sun Yat-sen issued by Gansu Province in the 17th year of the Republic of China (1928), was minted more than a decade after the collapse of the imperial system. During this period, Northwest China was characterized by military and political fragmentation with isolated inland transportation networks, making it difficult for standard coastal sailcoin specimens bearing Sun's portrait to reach Gansu. Consequently, local minting authorities utilized available materials to produce exclusive regional silver coins depicting Sun's image, which circulated only within the limited areas of Gansu, Ningxia, and Qinghai in the northwest. With an extremely short production cycle, limited issuance volume, and constrained by local industrial capabilities, the total output far exceeded that of various national currencies minted at the central mint. Unlike the nationally circulated Double Sailcoin from the 23rd year of the Republic of China, the Gansu One-Yuan Coin with Sun's Portrait represents a highly distinctive and scarce regional silver currency that comprehensively documents the unique historical landscape of military administration, local finance, and inland commerce in Northwest China during the early Republican era, serving as an indispensable physical specimen for studying modern local history in the region.

*本次藏品：宣统三年大清龙洋与甘肃孙像壹圆*

典藏尺寸：规格尺寸不一

两枚银元均遵循近代壹圆主币统一规格，采用高纯度标准银料锻铸，上手压手厚重，银质致密温润，历经百年流通氧化形成层次丰富的老包浆，无酸洗、打磨、修补、改刻痕迹，完整保留出厂原生状态。

先观宣统三年大清曲须龙壹圆，作为清廷法定标准国币，由天津总厂统一标准化铸造，尺寸、重量、含银量管控严苛。币身基底银料细腻紧实，侧光可见温润哑光银底，通体环绕细密规整直齿边，齿距深浅统一，无缺齿、卷边磕碰。币面包浆为经年流通形成的深褐、浅灰交融传世旧色，龙纹、文字凹陷缝隙积藏厚重旧浆，人像、龙身凸起流通处浆层轻薄通透，深浅过渡自然柔和，绝非人工药水做旧浮于表皮的呆板色块。

再赏民国十七年甘肃省造孙像壹圆，受西北本地铸工条件影响，整体形制贴合壹圆国标，银料配比合规，币身圆润规整，齿边冲压完整。币面包浆色调柔和内敛，浅黄银灰相互交织，凹凸图文肌理清晰，流通磨损均匀适度，没有大面积漏银、坑蚀破损。区别于沿海机制币细腻冲压质感，甘肃本土铸币自带内陆手工铸模独有的温润厚重笔触，地方特色鲜明，与天津总厂规整严谨的大清龙洋形成鲜明工艺对比，一规整一质朴，一中央一国府地方，工艺差异恰好映照南北工业发展差距。

Both silver dollars adhere to the unified specifications of modern one-yuan coins, crafted from high-purity standard silver through forging and casting. They feel substantial when held, with dense, smooth silver texture that has developed a rich, layered patina from centuries of circulation due to oxidation. Free from any acid treatment, polishing, repair, or alteration marks, they remain in pristine condition as originally manufactured.

First, consider the Daqing Quxu Long One Yuan coin from the third year of the Xuantong era. As the official standard currency of the Qing court, it was uniformly standardized and cast by the Tianjin General Mint, with stringent controls over dimensions, weight, and silver content. The base of the coin features fine, dense silver material; under side lighting, a smooth, matte silver surface is visible. The entire edge is adorned with meticulously crafted straight teeth, all uniformly spaced without any missing teeth, curled edges, or dents. The coin's surface exhibits a time-honored patina formed through years of circulation, characterized by a blend of deep brown and light gray tones. The dragon motif and inscriptions display deep, well-defined grooves filled with substantial patina, while the human figure and dragon body show thin, translucent patina layers at circulation points with natural, gradual transitions—clearly distinct from artificial aging effects that produce rigid color patches on the surface.

Next, let us examine the 1928 Gansu Province-issued Sun Yat-sen coin (one yuan). Influenced by local casting conditions in Northwest China, its overall design conforms to national standard specifications: the silver composition meets requirements, the coin body is rounded and regular, with complete edge stamping. The surface patina exhibits a soft, restrained tone featuring interwoven light yellow and silver-gray hues; relief patterns and designs display clear textures, with uniform circulation wear showing no extensive silver leakage or pitting damage. Unlike the refined stamping quality of coastal machine-made coins, Gansu's locally cast coins possess the distinctive warm, substantial texture characteristic of inland manual casting, demonstrating distinct regional features that contrast sharply with the precise craftsmanship of Tianjin's Central Mint's Daqing Longyang coins—one representing standardization and refinement, the other local production under provincial authority—a disparity that vividly reflects the industrial development gap between northern and southern China.

*本次藏品：宣统三年大清龙洋与甘肃孙像壹圆*

典藏尺寸：规格尺寸不一

一银镌末代蟠龙，一银塑共和先驱。宣统三年曲须龙洋与民国十七年甘肃孙像壹圆成对藏品，是近代机制银币里极具叙事价值的跨代配对重藏，兼具厚重连贯的文史考据内涵、南北两代对照的铸币工艺美学、长期稳健的收藏保值潜力与镌刻百年变革的深沉家国情怀。置于收藏册专题陈列，可完整构建清末民初编年收藏体系；摆置书案成对陈设，一龙一孙形成独特时代对照，观赏辨识度独树一帜；代代相传留存，可作为承载华夏帝制终结、共和开启的特色传世银藏。百年银锈不曾磨灭蟠龙威仪与孙像风骨，两枚成对银元静静诉说那段新旧交替、山河动荡的近代兴衰史诗。

One silver coin features the final Panlong dragon, while the other depicts a pioneer of the Republic of China. The Quxu Dragon silver dollar from 1914 and the portrait coin of Sun Yat-sen from Gansu Province in 1928 form a paired collection—a highly significant cross-era pairing among modern minted silver coins. This pair combines profound historical and scholarly value, distinctive coinage aesthetics contrasting Northern and Southern styles, enduring collection potential with stable appreciation, and a profound sense of national identity reflecting a century of transformation. When displayed in a thematic collection album, they collectively establish a comprehensive chronological framework for late Qing and early Republican-era silver coin collecting; when exhibited side by side on a desk, the dragon and Sun figure create a unique temporal contrast with exceptional visual distinctiveness; passed down through generations, they serve as a distinctive silver treasure symbolizing the end of imperial rule and the dawn of the Republic. Centuries of silver patina have not diminished either the majesty of the Panlong dragon or the dignity of Sun's portrait—the two coins quietly narrate the epic saga of modern China's rise and fall during periods of transition and social upheaval.