王大凡款粉彩《琴棋书画》瓷板画：民国文人瓷绘的四艺风华

时间：2026-05-14来源：网络作者：admin

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王大凡款粉彩《琴棋书画》瓷板画：民国文人瓷绘的四艺风华

在中国近代陶瓷美术史上，王大凡以“兼工带写”的粉彩人物瓷画独树一帜，其笔下的文人雅趣题材作品，将传统四艺文化与瓷绘技艺完美融合，成为民国瓷画艺术的典范。这套粉彩《琴棋书画》瓷板画，以“琴、棋、书、画”为主题，融山水、人物、粉彩技法于一体，将文人雅士的闲逸情怀、四艺场景的悠然意境与瓷绘艺术的精湛融为一体，在瓷釉流转间诉说着“以瓷为纸、以笔写心、以色传韵”的瓷绘文化逻辑，既是王大凡瓷画风格的典型体现，更是民国粉彩人物瓷画的珍贵遗存。

In the history of modern Chinese ceramic art, Wang Dafan is unique with his famille rose figure porcelain paintings combining meticulous and freehand brushwork. His works on the theme of literati elegance perfectly integrate the traditional four arts culture and porcelain painting skills, becoming a model of porcelain painting art of the Republic of China. This set of famille rose porcelain plaques Qin, Qi, Shu, Hua (Zither, Chess, Calligraphy, Painting) takes "zither, chess, calligraphy and painting" as its theme, integrating landscapes, figures and famille rose techniques. It blends the leisurely feelings of literati, the leisurely artistic conception of the four arts scenes and the exquisite porcelain painting art. Between the flowing porcelain glaze, it conveys the cultural logic of porcelain painting of "taking porcelain as paper, expressing the heart with the brush, and conveying charm with colors". It is not only a typical embodiment of Wang Dafan's porcelain painting style, but also a precious relic of Republic of China famille rose figure porcelain paintings.

从形制与画面维度审视，此作尽显“民国瓷绘神韵、文人四艺风骨”的特质。瓷板采用竖幅构图，四件一套，分别以“琴、棋、书、画”为主题，主体为苍树、奇石、高士与雅事场景：《琴》绘树下抚琴，仕女静立旁听；《棋》绘石间对弈，二人凝神对局；《书》绘柳下展卷，文士挥毫泼墨；《画》绘松下观图，雅士品鉴丹青。苍树枝干遒劲，松针茂密，以墨彩勾勒枝干，粉彩点染松针，层次分明，尽显苍树的挺拔与生机；人物衣袂飘逸，神态悠然，衣纹线条流畅，色彩淡雅，尽显文人雅士的灵动气质。背景以淡彩晕染山石与绿植，营造出清幽雅致的山林意境，题款点明主题，笔力秀逸，钤盖印章，布局严谨。整体画面虚实相生，苍树的苍劲与人物的闲适形成对比，色彩淡雅而明快，蓝、紫、黄三色搭配和谐，尽显“四艺雅事、悠然自得”的文人雅趣。每一处人物衣纹的勾勒、每一笔松针的点染，都凝聚着王大凡对粉彩人物瓷画的极致追求，成为解析民国粉彩瓷画技法的核心物质纽带。

From the perspective of form and composition, this work fully demonstrates the characteristics of "Republic of China porcelain painting charm and literati four arts style". The porcelain plaques adopt vertical composition, four pieces in a set, with the themes of "zither, chess, calligraphy and painting" respectively. The main subjects are trees, strange stones, scholars and elegant scenes: Zither depicts playing the qin under the tree with a maid standing by listening quietly; Chess depicts playing go among stones with two people focusing on the game; Calligraphy depicts spreading scrolls under the willow with a scholar writing; Painting depicts appreciating paintings under the pine with refined scholars admiring the art. The tree branches are vigorous and the pine needles are dense. The branches are outlined with ink colors and the pine needles are dotted with famille rose colors, with distinct layers, showing the uprightness and vitality of the trees. The characters' clothes are elegant, with leisurely expressions, smooth lines of clothes folds and elegant colors, fully showing the agile temperament of literati. The background is dyed with light colors to depict rocks and green plants, creating a quiet and elegant mountain forest artistic conception. The inscriptions clarify the themes, with elegant brushwork and stamped seals, in a rigorous layout. The overall picture is virtual and real complementing each other, with the vigor of the trees contrasting with the leisure of the characters. The colors are elegant and bright, with blue, purple and yellow colors harmoniously matched, fully showing the literati elegance of "four elegant arts, carefree and content". Every outlined fold of the characters' clothes and every dotted pine needle condense Wang Dafan's ultimate pursuit of famille rose figure porcelain painting, becoming a core material link for analyzing the techniques of Republic of China famille rose porcelain paintings.

笔墨与技法层面，《琴棋书画》承载着“民国瓷绘为骨、四艺文化为魂”的创作追求。王大凡的粉彩人物瓷画，以“兼工带写”的技法见长，此作中，人物的刻画采用工笔重彩技法，衣纹线条流畅，色彩淡雅，人物神态刻画入微，高士的悠然、仕女的温婉跃然瓷上；山水与树木的描绘则以写意为主，苍树的枝干以浓墨勾勒，皴法老辣，松针以淡彩点染，浓淡相宜，表现出苍树的苍劲与生机。尤为精妙的是，画面的色彩搭配，人物衣饰的蓝、紫亮色与背景的淡彩山水形成对比，整体色调明快雅致，将文人意境与粉彩技法完美结合。此作创作于民国时期，正值王大凡瓷画艺术的成熟期，他的粉彩人物技法已臻化境，对文人题材的表达也更为成熟，这套作品正是他瓷画艺术的重要见证。每一笔釉色的晕染、每一处细节的刻画，都在无声诉说着王大凡对粉彩瓷画技法的传承与创新，使这套作品兼具瓷画的工艺美与文人画的意境美。

In terms of brushwork and techniques, Qin, Qi, Shu, Hua embodies the creative pursuit of "Republic of China porcelain painting as the bone and four arts culture as the soul". Wang Dafan's famille rose figure porcelain paintings are famous for the technique of "combining meticulous and freehand brushwork". In this work, the depiction of the characters adopts meticulous heavy-color techniques, with smooth lines of clothes folds and elegant colors, and the characters' expressions are depicted in detail, showing the leisure of the scholars and the gentleness of the maids vividly on the porcelain. The depiction of landscapes and trees is mainly freehand, with the tree branches outlined with thick ink, vigorous texture strokes, and the pine needles dotted with light colors, with appropriate shades, showing the vigor and vitality of the trees. What isparticularly exquisite is the color matching of the picture: the bright blue and purple colors of the characters' clothes contrast with the light-colored landscape in the background. The overall tone is bright and elegant, perfectly combining literati artistic conception with famille rose techniques. This work was created in the Republic of China period, during the mature period of Wang Dafan's porcelain painting art. His famille rose figure techniques had reached a state of perfection, and his expression of literati themes was also more mature. This set of works is an important witness to his porcelain painting art. Every dyed glaze color and every depicted detail silently tell Wang Dafan's inheritance and innovation of famille rose porcelain painting techniques, making this set of works have both the craft beauty of porcelain painting and the artistic conception beauty of literati painting.

文化与收藏价值维度看，王大凡款《琴棋书画》瓷板画是民国文人瓷画艺术与四艺文化的“微观镜像”。作为民国瓷画“珠山八友”之一，王大凡的粉彩人物瓷画以独特的艺术风格与精湛的工艺，成为景德镇瓷绘艺术的代表，《琴棋书画》这类兼具文人意境与瓷画工艺的套组作品，更是他艺术生涯的重要里程碑。此作以“琴棋书画”为题材，既展现了王大凡深厚的瓷绘功底，又传递出文人雅士寄情山水、醉心四艺的闲逸情怀，是传统文人文化在民国瓷画中的生动体现。在当代收藏语境下，珠山八友的作品因艺术价值与工艺价值极高，成为陶瓷收藏界的热门品类，兼具历史价值、文化价值与收藏投资价值。尤其是像《琴棋书画》这类粉彩高士瓷板套组，更是收藏界的珍品，市场价值与文化价值均不可估量。它不仅是一套瓷板画，更是连接传统文人文化与民国瓷画艺术的纽带，每一次观赏，都是一次与文人雅士的对话，感受瓷绘艺术的魅力与四艺文化的清雅内涵。

From the perspective of cultural and collection value, Wang Dafan's porcelain plaques Qin, Qi, Shu, Hua are a "micro mirror" of literati porcelain painting art and four arts culture of the Republic of China. As one of the "Eight Friends of Zhushan" in the Republic of China porcelain painting circle, Wang Dafan's famille rose figure porcelain paintings, with their unique artistic style and exquisite craftsmanship, have become representatives of Jingdezhen porcelain painting art. Set works like Qin, Qi, Shu, Hua, which combine literati artistic conception and porcelain painting craftsmanship, are important milestones in his artistic career. Taking "zither, chess, calligraphy and painting" as its theme, this work not only shows Wang Dafan's profound porcelain painting skills, but also conveys the leisurely feelings of literati who express their emotions in landscapes and indulge in the four arts, which is a vivid embodiment of traditional literati culture in Republic of China porcelain paintings. In the contemporary collection context, the works of the Eight Friends of Zhushan have become a popular category in the ceramic collection circle due to their extremely high artistic and craft values, with historical value, cultural value and collection investment value. Especially famille rose scholar porcelain plaque sets like Qin, Qi, Shu, Hua are treasures in the collection circle, with immeasurable market and cultural values. It is not only a set of porcelain plaques, but also a link connecting traditional literati culture and Republic of China porcelain painting art. Every appreciation is a dialogue with literati scholars, feeling the charm of porcelain painting art and the elegant connotation of the four arts culture.

当我们凝视这套《琴棋书画》瓷板画，瓷釉的莹润光泽与文人意境的悠然在眼前交融，王大凡的瓷绘匠心与四艺文化的清雅内涵在方寸间碰撞，仿佛能感受到松间清风与琴棋书画的悠然，体会到民国粉彩瓷画的魅力与传统文人文化的韵味。这套作品不仅是王大凡瓷画艺术的典范之作，更是民国粉彩人物瓷画的珍贵遗存，在瓷釉的流转中静静散发着瓷绘的莹润之美，以其独特的形制与文化内涵，让每一位观者都能读懂这份藏在瓷上的文人故事，感受那份融于粉彩中的清雅传承与艺术魅力。

When we gaze at this set of porcelain plaques Qin, Qi, Shu, Hua, the luster of the porcelain glaze and the leisure of literati artistic conception blend before our eyes. Wang Dafan's porcelain painting ingenuity and the elegant connotation of the four arts culture collide in a small space. It is as if we can feel the breeze among the pine trees and the leisure of the four arts, experiencing the charm of Republic of China famille rose porcelain paintings and the charm of traditional literati culture. This work is not only a model work of Wang Dafan's porcelain painting art, but also a precious relic of Republic of China famille rose figure porcelain paintings. It quietly exudes the luster beauty of porcelain painting in the flowing porcelain glaze. With its unique form and cultural connotation, it allows every viewer to understand the literati story hidden on the porcelain and feel the elegant inheritance and artistic charm integrated into the famille rose.

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