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王大凡款粉彩《松下对弈》瓷板画：民国瓷绘的高士雅韵

时间：2026-05-14来源：网络作者：admin

王大凡款粉彩《松下对弈》瓷板画：民国瓷绘的高士雅韵

 

在中国近代陶瓷美术史上，王大凡以“兼工带写”的粉彩人物瓷画独树一帜，其笔下的高士题材作品，将文人风骨与瓷绘技艺完美融合，成为民国瓷画艺术的典范。这件粉彩《松下对弈》瓷板画，创作于民国早期，以“松下对弈”为主题，融山水、人物、粉彩技法于一体，将文人雅士的闲逸情怀、松间对弈的悠然意境与瓷绘艺术的精湛融为一体，在瓷釉流转间诉说着“以瓷为纸、以笔写心、以色传韵”的瓷绘文化逻辑，既是王大凡早期瓷画风格的典型体现，更是民国粉彩人物瓷画的珍贵遗存。

 

In the history of modern Chinese ceramic art, Wang Dafan is unique with his famille rose figure porcelain paintings combining meticulous and freehand brushwork. His works on the theme of scholars perfectly integrate literati style and porcelain painting skills, becoming a model of porcelain painting art of the Republic of China. This famille rose porcelain plaque Playing Chess Under the Pine Tree, created in the early period of the Republic of China, takes "playing chess under the pine tree" as its theme, integrating landscapes, figures and famille rose techniques. It blends the leisurely feelings of literati, the leisurely artistic conception of playing chess among pine trees and the exquisite porcelain painting art. Between the flowing porcelain glaze, it conveys the cultural logic of porcelain painting of "taking porcelain as paper, expressing the heart with the brush, and conveying charm with colors". It is not only a typical embodiment of Wang Dafan's early porcelain painting style, but also a precious relic of Republic of China famille rose figure porcelain paintings.

从形制与画面维度审视，此作尽显“民国早期瓷绘神韵、文人高士风骨”的特质。瓷板采用竖幅构图，主体为苍松、高士与对弈场景，苍松枝干遒劲，松针茂密，以墨彩勾勒枝干，粉彩点染松针，层次分明，尽显苍松的挺拔与生机；画面中心绘两位高士对弈，一人着浅蓝长衫，一人着淡黄长衫，神态悠然，专注于棋局，旁侧立一侍童，头戴斗笠，神态乖巧，衣袂飘逸，尽显人物的灵动气质。背景以淡彩晕染山石与绿植，营造出清幽雅致的山林意境，题款“松下对弈”与“戊申年王大凡写”，笔力秀逸，钤盖印章，布局严谨。整体画面虚实相生，苍松的苍劲与人物的闲适形成对比，色彩淡雅而明快，蓝、黄、粉三色搭配和谐，尽显“松间对弈、悠然自得”的文人雅趣。每一处人物衣纹的勾勒、每一笔松针的点染，都凝聚着王大凡对粉彩人物瓷画的极致追求，成为解析民国早期粉彩瓷画技法的核心物质纽带。

 

From the perspective of form and composition, this work fully demonstrates the characteristics of "the charm of early Republic of China porcelain painting and the style of literati scholars". The porcelain plaque adopts a vertical composition, with the main subjects being pines, scholars and the chess-playing scene. The pine branches are vigorous and the pine needles are dense. The branches are outlined with ink colors and the pine needles are dotted with famille rose colors, with distinct layers, showing the uprightness and vitality of the pines. In the center of the painting, two scholars are depicted playing chess, one wearing a light blue long gown and the other wearing a light yellow long gown, with leisurely expressions, focusing on the chess game. A servant boy stands beside them, wearing a bamboo hat, with a clever expression and elegant clothes, showing the vivid temperament of the characters. The background is dyed with light colors to depict rocks and green plants, creating a quiet and elegant mountain forest artistic conception. The inscription "Playing Chess Under the Pine Tree" and "Written by Wang Dafan in the Wushen Year" are elegant, with a stamped seal, in a rigorous layout. The overall picture is virtual and real complementing each other, with the vigor of the pines contrasting with the leisure of the characters. The colors are elegant and bright, with blue, yellow and pink colors harmoniously matched, fully showing the literati elegance of "playing chess among pine trees, carefree and content". Every outlined fold of the characters' clothes and every dotted pine needle condense Wang Dafan's ultimate pursuit of famille rose figure porcelain painting, becoming a core material link for analyzing the techniques of early Republic of China famille rose porcelain paintings.

 

笔墨与技法层面，《松下对弈》承载着“民国瓷绘为骨、文人意境为魂”的创作追求。王大凡的早期粉彩人物瓷画，以“兼工带写”的技法见长，此作中，人物的刻画采用工笔重彩技法，衣纹线条流畅，色彩淡雅，人物神态刻画入微，高士的悠然、侍童的乖巧跃然瓷上；山水与松树的描绘则以写意为主，苍松的枝干以浓墨勾勒，皴法老辣，松针以淡彩点染，浓淡相宜，表现出苍松的苍劲与生机。尤为精妙的是，画面的色彩搭配，人物衣饰的蓝、黄亮色与背景的淡彩山水形成对比，整体色调明快雅致，将文人意境与粉彩技法完美结合。此作创作于民国早期，正值王大凡瓷画艺术的成长期，他的粉彩人物技法已初露锋芒，对文人题材的表达也更为纯粹，这幅作品正是他瓷画艺术早期探索的重要见证。每一笔釉色的晕染、每一处细节的刻画，都在无声诉说着王大凡对粉彩瓷画技法的传承与创新，使这幅作品兼具瓷画的工艺美与文人画的意境美。

 

In terms of brushwork and techniques, Playing Chess Under the Pine Tree embodies the creative pursuit of "Republic of China porcelain painting as the bone and literati artistic conception as the soul". Wang Dafan's early famille rose figure porcelain paintings are famous for the technique of "combining meticulous and freehand brushwork". In this work, the depiction of the characters adopts meticulous heavy-color techniques, with smooth lines of clothes folds and elegant colors, and the characters' expressions are depicted in detail, showing the leisure of the scholars and the cleverness of the servant boy vividly on the porcelain. The depiction of landscapes and pines is mainly freehand, with the pine branches outlined with thick ink, vigorous texture strokes, and the pine needles dotted with light colors, with appropriate shades, showing the vigor and vitality of the pines. What is particularly exquisite is the color matching of the picture: the bright blue and yellow colors of the characters' clothes contrast with the light-colored landscape in the background. The overall tone is bright and elegant, perfectly combining literati artistic conception with famille rose techniques. This work was created in the early period of the Republic of China, during the growth period of Wang Dafan's porcelain painting art. His famille rose figure techniques had initially shown their brilliance, and his expression of literati themes was also more pure. This work is an important witness to his early exploration of porcelain painting art. Every dyed glaze color and every depicted detail silently tell Wang Dafan's inheritance and innovation of famille rose porcelain painting techniques, making this work have both the craft beauty of porcelain painting and the artistic conception beauty of literati painting.

文化与收藏价值维度看，王大凡款《松下对弈》瓷板画是民国文人瓷画艺术的“微观镜像”。作为民国瓷画“珠山八友”之一，王大凡的早期粉彩人物瓷画以独特的艺术风格与精湛的工艺，成为景德镇瓷绘艺术的重要组成部分，《松下对弈》这类兼具文人意境与瓷画工艺的作品，更是他艺术生涯早期的重要里程碑。此作以“松下对弈”为题材，既展现了王大凡深厚的瓷绘功底，又传递出文人雅士寄情山水、超然物外的闲逸情怀，是传统高士文化在民国瓷画中的生动体现。在当代收藏语境下，王大凡的早期作品因稀缺性与艺术价值极高，成为陶瓷收藏界的热门品类，兼具历史价值、文化价值与收藏投资价值。尤其是像《松下对弈》这类粉彩高士瓷板画，更是收藏界的珍品，市场价值与文化价值均不可估量。它不仅是一件瓷板画，更是连接传统文人文化与民国瓷画艺术的纽带，每一次观赏，都是一次与文人雅士的对话，感受瓷绘艺术的魅力与高士文化的清雅内涵。

 

From the perspective of cultural and collection value, Wang Dafan's porcelain plaque Playing Chess Under the Pine Tree is a "micro mirror" of literati porcelain painting art of the Republic of China. As one of the "Eight Friends of Zhushan" in the Republic of China porcelain painting circle, Wang Dafan's early famille rose figure porcelain paintings, with their unique artistic style and exquisite craftsmanship, have become an important part of Jingdezhen porcelain painting art. Works like Playing Chess Under the Pine Tree, which combine literati artistic conception and porcelain painting craftsmanship, are important milestones in the early period of his artistic career. Taking "playing chess under the pine tree" as its theme, this work not only shows Wang Dafan's profound porcelain painting skills, but also conveys the leisurely feelings of literati who express their emotions in landscapes and transcend material things, which is a vivid embodiment of traditional scholar culture in Republic of China porcelain paintings. In the contemporary collection context, Wang Dafan's early works have become a popular category in the ceramic collection circle due to their scarcity and extremely high artistic value, with historical value, cultural value and collection investment value. Especially famille rose scholar porcelain plaques like Playing Chess Under the Pine Tree are treasures in the collection circle, with immeasurable market and cultural values. It is not only a porcelain plaque, but also a link connecting traditional literati culture and Republic of China porcelain painting art. Every appreciation is a dialogue with literati scholars, feeling the charm of porcelain painting art and the elegant connotation of scholar culture.

 

当我们凝视这幅《松下对弈》瓷板画，瓷釉的莹润光泽与文人意境的悠然在眼前交融，王大凡的瓷绘匠心与高士文化的清雅内涵在方寸间碰撞，仿佛能感受到松间清风与棋局的悠然，体会到民国粉彩瓷画的魅力与传统文人文化的韵味。这幅作品不仅是王大凡早期瓷画艺术的典范之作，更是民国粉彩人物瓷画的珍贵遗存，在瓷釉的流转中静静散发着瓷绘的莹润之美，以其独特的形制与文化内涵，让每一位观者都能读懂这份藏在瓷上的文人故事，感受那份融于粉彩中的清雅传承与艺术魅力。

 

When we gaze at this porcelain plaque Playing Chess Under the Pine Tree, the luster of the porcelain glaze and the leisure of literati artistic conception blend before our eyes. Wang Dafan's porcelain painting ingenuity and the elegant connotation of scholar culture collide in a small space. It is as if we can feel the breeze among the pine trees and the leisure of the chess game, experiencing the charm of Republic of China famille rose porcelain paintings and the charm of traditional literati culture. This work is not only a model work of Wang Dafan's early porcelain painting art, but also a precious relic of Republic of China famille rose figure porcelain paintings. It quietly exudes the luster beauty of porcelain painting in the flowing porcelain glaze. With its unique form and cultural connotation, it allows every viewer to understand the literati story hidden on the porcelain and feel the elegant inheritance and artistic charm integrated into the famille rose.

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